The lower sensitivity allows Shure KSM9 to focus on the user's voice without picking up any sound from other directions. It is made from high-quality components, which ensures that it delivers excellent sound quality. A25E. Shure: KSM8 & KSM9 Microphones. Best for: Small touring applications, classrooms, office meetings, or fitness instructors on the go. The results were always stellar and we use the wireless versions of KSM9 on our singers with James Taylor to this day. The action you just performed triggered the security solution. Web site designed & maintained by PB Associates & SOS. Shure KSM9/CG Dual-Pattern Condenser Handheld Vocal Microphone. . Smooth high frequency response without a pronounced presence peak, Advanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS patent pending) work together to prevent handling noise, True cardioid pattern prevents feedback and provides consistent off-axis response, Hardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use, Microphone techniques for live sound reinforcement. How careful do you have to be in handling? Achieving the sound quality demanded by elite performers and venues no longer requires sacrificing the rugged reliability of a dynamic microphone. But as condensers are more sensitive than dynamic mics, they may not be the best choice for everyone. Taken all together, these attributes should combine to make the KSM8 a joy to work with on stage, minimising the need for aggressive EQ or dynamic manipulation. Ive heard sales reps say that the KSM8 is better than a lot of condensors out there so presumably Im buying quality with the 8 but still lean towards the 9 since I want to get most out of my live sound.. How ever since my genre is pretty heavy what is your experiance with the feedback rejection on louder stages with the KSM9 VS the quality of the KSM8.. Will the difference in sound quality (depending on EQ + sound guy ofc) by noticable between the 8 and 9? The KSM9 also switches between cardioid and supercardioid polar patterns, so it can easily adapt to different live environments and singing styles. PA Consulting. Controlling proximity effect in moving-coil mics is not a new idea, and different manufacturers have developed a variety of strategies over the years. This makes it ideal for recording vocals or instruments in a studio setting. Shure Tech Portal open_in_new. There are no user-serviceable parts inside. So far, so conventional except that the active diaphragm is also stabilised by a series of (patent-pending) sound-diffracting plates positioned directly above it. Comparing to other Shures, itis a great step up from their Beta 87A and miles ahead ofBeta 58A. New Loops Releases 'Twin 3 Pro Expansion' 30% off intro discount! By applying our craft in market contexts, we deliver solutions that empower end users, energize the channel, and strengthen businesses. . I think the Shure is a little brighter in character, whereas the Sennheiser is a bit more pronounced in the low-mids. American Standard Pitch Notation, a true work of evil. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. This mic is highly dynamic and nuanced, making it the perfect mic for intimate folk, jazz or spoken word performances. Enter the Shure KSM9 a condenser mic for the live stage. Heres how it works. The mic has a dual-diaphragm design that allows it to capture both the low and high frequencies of the voice, resulting in a natural and balanced sound. The chart is fairly even, with no big peaks or troughs apart from a little dip around 7kHz. Many singers love its ribbon-like feel, and although it may turn out beneficial for screaming or growling with a metal band, in your case, for a clean vocal you may need a brighter mic, so that it can cut through a dense mix more easily, such as KSM9, which also offers supercardioid mode for improved rejection, as long as you fix it on a stand and dont move around much. At 191 mm (7.5"), it's slightly longer than the Shure SM58. Developments in powerful, rare-earth magnetic materials have helped a lot here, and the KSM8 uses a Neodymium magnet in a micro-injection mould of aerospace SoftMag material (whatever that is!) Its a little more sensitive than a dynamic mic like the Shure SM58, but a far cry from the high sensitivity of some studio condensers such as the AKG C414. Theyre reliable, and lots of them sound great. The head of the mic is 49 mm (1.9) and it weighs in at about 300g (10.6oz). Check out the Shure KSM8 here:https://www.sweetwater.com/store/detail/KSM8N--shure-ksm8-dualdyne-nickelSubscribe to Sweetwater:https://www.youtube.com/user/S. But aside from the minimal handling noise, this really is a different experience. This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. Called the Diaphragm Stabilisation System, or DSS, this smart technology protects the active diaphragm, preventing excessive excursions or rocking motions during plosives or physical knocks. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. Shure's KSM8 has been custom-made for live vocal reproduction, providing the near-exact sound of your voice through a PA or recording desk. Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. Free Shipping. Live sound engineers often use signal processing, like equalization, to mitigate both the proximity effect of traditional microphones or to compensate for improper microphone technique (such as when a performer covers the grille with their hand). The Shure KSM9 runs best at this voltage, but can perform at voltages as low as 11 V DC. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. Shure describe the KSM9 as the first-ever handheld condenser with dual diaphragms and switchable polar patterns. Both mics have their pros and cons, so it can be tough to decide which one to buy. The Shure KSM9 is a high-quality condenser microphone that is designed for live performances. The kit includes a regular mic clip and a stiffened soft carry pouch, and theres a choice of finishes - black or brushed nickel. He enjoys writing middle grade and YA fiction, doing traditional art, and keeping up with the latest anime series. Shures KSM8 introduces the Braunmhl-Weber dual-diaphragm concept into a moving-coil capsule for the first time, with substantial practical and sonic advantages for the live-sound market. This might also be a good setting for backing vocals, to get more separation between neighbouring singers. jim martin death couples massage class san diego beaver falls football shure axient combiner. Having used them both extensively with flat EQ no compression and no effects here is my 2cents on these mics. Every single component is new this is no evolution from previous Unidyne capsules: it came quite literally from a clean sheet of paper and a lot of innovative thinking! Visit our corporate site (opens in new tab). Its certainly worth testing them yourself if you can, but for my money the Shure has a slightly brighter, clearer sound through the high mids and top end. Comparison of Shure KSM9 and Shure SM58 based on specifications, reviews and ratings. The polar response also behaves differently with both frequency and source distance. Its one of those things that comes down to personal taste. Its similar in design to the classic Shure SM58, but with a squarer grille at the head of the microphone. The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. Beta 87A on UHF-R Wireless. What is the output level difference between Shures Beta 87A and SM58? Then - and rather predictably - we had to try the mic on a snare drum and guitar cab (both of which can be successfully enhanced with a regular SM mic). There are many great microphones on the market, but two of the most popular are the Neumann KMS 105 and Shure KSM9. A built in high pass filter on the KMS105 ensures the mic doesnt suffer too much from the proximity effect, although Id say the KSM9 is slightly better at feedback rejection. For example, as a lead singer you will naturally lean towards a more balanced sound ofcardioid. We joined PA in 2018, becoming part of one of the world's most capable networks of researchers, strategists, designers, engineers, and scientists. With two ultra-thin diaphragms and groundbreaking reverse airflow technology, the KSM8 Dualdyne delivers unmatched control of proximity effect, presence peaks, and bleed and requires minimal EQ and processing. Its most sensitive on-axis (at 0 degrees), but also picks up sound around 65 degrees either side of the mic. As a condenser mic, the Shure KSM9 requires phantom power. Less spiky in the high mids, which means it sounds a lot better soloed, but doesn't sound as up front with a band. It is also equipped with a three-position bass roll-off switch that optimizes the microphones response for different applications. The younger sibling of the KSM9 is the Shure KSM8. Another advantage of mics with a smaller diaphragm is that they have a more controlled, consistent pickup pattern. The KSM8 is not necessarily an upgrade. The capsule technology inside the KSM8 has been christened Dualdyne, in keeping with their familiar Unidyne product range terminology and in obvious reference to the use of two diaphragms. Cloudflare Ray ID: 7a2dba687d4fa3ab Shure KSM8 vs Shure KSM9. You are using an out of date browser. If you want the best quality XLR cables, try these. In Summary. Additionally, the KSM9 has a built-in shock mount that helps to reduce noise from vibration, making it ideal for use with high-end instruments. However, what is new groundbreaking, in fact is the application of the dual-diaphragm configuration in a moving-coil capsule. Its an effect used by radio presenters to give them very deep voices. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. Features. The Shure KSM8 Dualdyne Microphone is the worlds first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. Through a multi-disciplinary partnership from research to development, Essential partnered with Shure to help establish user experience principles and a design language for their wireless and wired microphone . A dual-diaphragm design helps to reduce the proximity effect, and evens out the frequency response throughout the vocal range. $12.39 ($2.48/Count) XLR Cable 6 FT/4 Pack, Microphone Cable 3 Pin Nylong Braided Balanced XLR Male to XLR Female Heavy Duty Mic Patch Cords. One big difference is that the Neumann doesnt have a switchable polar pattern its a fixed supercardioid. More videos like Shure KSM8 vs. KSM9 | Whats the Difference? MaonoCaster E2 (AME2) review - production audio interface for streamers. This means an even, predictable low-end as the distance from the mic changes. It can also be a bit more forgiving when it comes to microphone technique. Therefore, if you can afford this mic, go ahead and start digging that difference. In America, Electrovoice took a very different approach in their EV664 microphone launched in 1954. Black, Soft Flex Swivel Stand Adapter for KSM8 and KSM9. 1:41 Shure KSM9 Only This is like having two mics in one, and is a real bonus. Strategically positioning and bringing to life new brands. Exceptional consistency across all frequencies, providing more gain before Dual gold layered, low-mass Mylar diaphragm design, Switchable polar patterns (supercardioid and cardioid). . Cardioid is more natural but may need a louder vocal to combat feedback. Theyre both handheld condenser mics optimised for live performance. The casing has an integrated three-state pop protection grille, which acts like a pop-shield and reduces plosives, breath and wind noise. Engineering products to address all technical and business criteria and solve the most difficult design problems through integrated mechanical, electrical, software and firmware solutions. Basic Analog Systems. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0 Shop Shure KSM8 Du. The KSM9 is Shure's premier live vocal mic and with it's dual diaphragms can be switched between Cardioid and Supercardioid polar pattern modes. But guess you are looking more into a dynamic type of mic. The Shure KSM9 microphone is a high-end vocal microphone that has been designed for use in live and studio settings. KSM8. DuPont de Nemours and Company in the United States. The Shure KSM9 is a higher-end microphone that is known for its clear sound quality. Enter the KSM9, a new handheld condenser microphone developed for high end live sound usage. Also, what's your use case, as this will probably help us guide you towards to best choice! KOHN MUSIC STORE. The KSM9HS is a new premium stage vocal microphone, based on the design and success of the KSM9. This is, of course, complete nonsense: new developments are still appearing quite regularly, bringing substantial improvements in quality and accuracy, reliability or manufacturing costs. The Shure KSM9 is a condenser microphone, so it does require phantom power. The Neumann KMS 105 and the Shure KSM9 are both great microphones, but the Neumann kms 105 is the better microphone. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. Both mics share some internal design features too: they both have the dual diaphragm design, which delivers a nice smooth frequency response. This revolutionary technology provides the following benefits: The KSM8 delivers exceptional results and withstands the rigors of daily use in the most demanding live sound environments. As for music genres, KSM9 works best with latin, jazz, pop music, rock and similar. to maximise the magnetic field in a very small space and thus ensure an acceptable electrical output level. Occasionally we even see some completely new microphone technologies, with yet more hovering tantalisingly over the horizon. This ensures a smooth transfer of the signal from the microphone to the pre-amp, without any loss of signal quality. This pneumatic shockmount employs tuned and damped cavities which are effectively pressurised by the sound waves which pass through the rear of the capsule and are then guided down into the shockmount itself. I think the champagne looks very chic! The Neumann kms 105 is a popular choice among drummers due to its great sound and durability. The KSM8 really is impressive for a dynamic mic. This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. 530 706 Des. In Asia, call 852-2893-4290. You may login with either your assigned username or your e-mail address. How vulnerable are these mics to dropping on the stage? On stage, the wider cardioid pattern is more suited to singers who move around the mic a bit more. ksm9 hs surprising on no feedback. Future Publishing Limited Quay House, The Ambury, A cardioid polar pattern shouldnt pick up any sound from the rear of the microphone. Bauers clever Uniphase design omitted the rear diaphragm, but led directly to the iconic Unidyne Model 55 microphone, released in 1939: the worlds first single-capsule cardioid dynamic mic. I prefer the KSM9 over the Beta87C. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. The KSM8 has more of a presence peak in the upper mids, whereas the KSM9 feels more transparent throughout the high range. Ultimately the Shure KSM9 and Sennheiser E965 are two very similar microphones. The Shure KSM9 is a great choice as a live mic. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum.As polar patterns go the KSM8 boasts a remarkably consistent cardioid response, with an excellent rear null across most of the frequency range, and Shure claim it to be the purest cardioid polar pattern the company have developed to date. In Europe, call 49-7262-92490. Shure QLXD2/KSM9. None. Shure Tech Portal open_in_new. A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass. Learn More. Dynamic mics are particularly suited to live and stage use. As a condenser designed for gigging and live use, the KSM9 is perfect for anyone looking to bring a high quality studio sound to the stage. Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. Confused about setting up your guitar? Follow us. The KSM8 grille is lined with a permanently-attached hydrophobic cloth. They both come with a built-in shock mount and are able to handle high volume levels. Q. The active and passive diaphragms differ in that the active (top) one has a coil attached.Although the rear diaphragm isnt used as part of the electrical circuit in a fixed-cardioid capsule, it was subsequently discovered that it does play an important role in modifying the capsules proximity effect, which Ill come back to in a moment. Consider helping Sound Forums keep the lights on. Price $699. http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf, Win! He said the idea for the KSM8 came out of what Shure had learnt while building the KSM9 handheld condenser: "We knew from the KSM9 that if we could get a second diaphragm into the cartridge, we could use it as part of the acoustic network to control proximity effect. Off-axis frequency response is very smooth. Gone is the quite substantial midrange and high-mid boost, replaced by a much smoother and dare we say it more natural response, and although this seems lacking at first, whats missing is the borderline sibilance that an SM can easily exhibit. When unwanted off-axis sources leak into vocal microphones, it can degrade phase coherency and compromise source quality. This mic offers dynamic lows, balanced mids and sparkling highs. Naturally, the latter influences the price greatly, and the KSM8 is consequently the most expensive moving-coil stage mic currently on the market. 3:26 What We Heard Wed love to hear from you. JavaScript is disabled. By achieving greater output level while minimizing proximity effect to an unmatched degree, the microphone provides a clean, richly detailed signal with minimal feedback. and if so what are your opinions. Shure describe this arrangement as a reverse airflow technology, and although the pneumatic shockmount was patented over 50 years ago, they claim that no other manufacturer has implemented it successfully. At first glance it looks just like any other conventional stage vocal mic theres nothing in its styling that signposts the clever technology within. A cardioid polar pattern picks up sound in a heart shape around the front of the microphone. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum. In the studio, a cardioid mic is probably all you need in a well-isolated vocal booth. Artists seen using the Shure KSM9 include Neil Tennant, Damien Rice and Serge Tankian. If you want your live vocals to be closer to your refined studio sound, then this is where a good handheld condenser comes in. 95A2050 . 1.93 in. The KSM9 microphone typically runs around $700 in a wired configuration. We have both b87c and b87a capsules for our handhelds too, but these don't see anywhere near as much use. Your IP: Aside from singers, weve seen it working foracoustic artists too, for example guitar players etc. The grilles are of course replaceable Yet, considering the price of the unit, youd still want to treat it with all due respect and I hope this is a no-brainer. This moisture-resistant cloth protects the cartridge while providing superior pop protection, ensuring years of usability and durability. The KSM9 appeared on our recommended list for Condenser Mics Under $1000 from October 2018 until March 2020. The sound engineer will normally mute the mic from the mixing desk when needed. You wont have the super resilience of a dynamic mic. Elegantly crafted products that are simple, useful, and desirable. When you purchase through links on our site, we may earn an affiliate commission. Theyll deliver a higher quality sound than dynamic mics. KSM8. Pro-level mics often dont have on/off switches, because it make it less likely that the singer will accidentally turn off the mic mid performance. A very similar mic to the KSM9. All rights reserved. An internal shock mount offers the kind of durability youd expect from a live mic. When comparing the sound of the KSM9 vs KSM8s, I found them both to have a great sound. An interesting side-note here is that Ben Bauer, working at Shure in the mid-1930s, developed a broadly similar acoustic labyrinth concept based on Braunmhl-Webers work for a single-capsule moving-coil cardioid mic. This website is using a security service to protect itself from online attacks. All in all the KSM9 has a durable, carefully considered design. The low frequency behaviour is considerably more forgiving, providing a much bigger sweet spot. Microphone sound absorption and reflection. It also helps to counteract the proximity effect. A premium-range handheld condenser vocal mic with a clear and authentic sound. Happy customers, one piece of gear at a time! See giveaway details & rules or check out our past winners! The Shure KSM9 is a well-known professional audio microphone, and the Neumann KMS 105 is a popular choice for home recording enthusiasts. . More about the different types of microphones here. The kms105 is super clean, clear . The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as . He specializes in literature and creative writing, with a focus on fiction. Very well-defined cardioid polar pattern with minimal off-axis coloration and a deep rear null. However, there is a small amount of sensitivity at the rear of the mic (called a rear lobe). Best mics for budget filmmaking and video production, 7 Best Headworn Mics for Wireless Systems Review. As expected from professional equipment, youll get that superior quality and low noise levels. the Telefunken M80). This pattern is fairly forgiving of mic position and technique, whilst capturing detail. The KSM8 Dualdyne is designed to excel as a vocal microphone while withstanding the punishment of professional live sound reinforcement, but can be used to capture other sources as well. KSM9 picks up too much stage wash. AE5400, KSM9, VX10, and PR22 do as well. In these microphones the front capsule mounted directly behind the grille captures only the high frequency components of the source sound, while a second capsule located behind it receives the low frequency sound components, via a damped acoustical tube from entry ports at the bottom of the microphones handle. There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). The microphones sensitivity is given as 1.85mV/Pa, which is comparable with most other stage mics an SM58 has a sensitivity of 1.88mV/Pa, for example, making it less than 0.2dB louder. For more aggressive styles like metal, technically youll still get a betterquality vocal, but among those loud and heavy guitar riff sounds you may probably not be able to notice the difference. While the KSM9 offered Cardioid and Supercardioid patterns, the KSM9HS offers Hypercardioid and Subcardioid (wide cardioid), selectable via a switch under the grille. However, the proximity effect is not the only aspect of the capsules behaviour that is changed by the addition of a rear passive diaphragm. If your audio interface or mixer doesnt provide phantom power, there is a solution: You can connect your mic to an external 48 volt phantom supply. Inside, the microphone features a Class A, transformerless preamplifier circuit. Over 90 years of audio experience has contributed to making this one of the finest microphones available. Where the magic happens! The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. It might be just what you need to take your sound to the next level. Traditional microphones confine the performer to a specific distance from the microphone. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, Shop Shure KSM8 Dualdyne Cardioid Dynamic Vocal Microphone at Sweetwater https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, Shop Shure KSM9 Dual-Pattern Condenser Handheld Vocal Microphone at Sweetwater https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, If youre wondering what video gear we use, check it out https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. With seven years of R&D costs to recover and some very advanced engineering, this mic is inevitably expensive in comparison to conventional moving-coil stage mics. Obviously, handheld dynamic mics are nothing new, and neither are microphones with dual diaphragms: every switchable-pattern capacitor mic has used that particular technology since the mid-1930s! Taking its inspiration from Shure's classic Unidyne III capsule (that's the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver . The Neumann KMS 105 is a great microphone for those who are looking for a high-quality sound. They call it a three-stage grille or simply triple grille. For information on microphone use and applications or for a more comprehensive look at the technology behind the microphone, visit www.shure.com for educational publications on these topics and more: The KSM8 Dualdyne Cartridge utilizes a reversed side entry airflow system. One aspect of the KSM8 which does borrow from the past, though, is its internal pneumatic shockmount. A perfect choice for precise, intimate live vocals. This is also a good position for any sudden loud notes, or to shape, and tail off a long note. Shure KSM9. Moving significantly beyond that range causes the bass level to fall off gently, and by 600mm (two feet) there is an obvious but still gentle attenuation of frequencies below about 100Hz. Mylar is a registered trademark of E.I. OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. Popular comparisons. As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. The Diaphragm Stabilization System (DSS) works with the pumping pneumatic shockmount to isolate and suspend the cartridge, reducing handling noise. Handling noise is extremely low and never gave any problems, even when I was deliberately trying to be clumsy! Virtual elimination of proximity effect allows a much larger working range, which translates into a far more consistent sound regardless of mic technique (or its absence!). Itmaintains a great accuracy at higher freqs (where other mics err), and even those high-pitched harmonics sound so much natural! This was the companys first model to use their Variable-D technology, although the concept wasnt patented until 1963. A85WS Black foam windscreen for KSM8, SM58, SM86, SM87A, Beta 87A and Beta 87C A25E Black, Soft-flex Swivel Adapter for KSM8 and KSM9 RPM266 Black replacement grille for KSM8 wired and wireless RPM268 Brushed Nickel replacement grille for KSM8 wired and wireless. suggested Neumann KMS 105 Sennheiser e 965 Shure KSM8 Shure KSM9HS Shure Beta 87A Shure Beta 58A Shure SM57 Sennheiser e 835-S Sennheiser e835 Sennheiser e 835. MA 02210. One distinctive advantage of Shure KSM9 is that it is quite less sensitive than Neumann KMS 105.
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